
On Saturday, the De Young Museum hosted a conversation between Jean Paul Gaultier and fashion journalist Suzy Menkes, in honor of the opening of the designer’s exhibit The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk. “Jean Paul Gaultier is one of the funniest, most talented, wittiest, and funkiest fashion designers I know,” Menkes began. The only thing we might add to the list: most charming – he really is wonderful to talk to, which we learned during his visit to the School of Fashion.
During the hour and half discussion, Suzy touched on everything from his early love of fashion inspired by the Folies Bergère, to his work with Madonna, and the business side of fashion that is seldom discussed. She was quick to point out how deserving Jean Paul was of the exhibition, saying, “I’d just like to start with something a little bit more serious. In fashion, the real reason that people last – and when it comes to Jean Paul Gaultier is probably talked about the least – is the technique, the skill, the handwork, the knowledge. Sometimes it gets buried underneath the fantasies of the clothes, but if you look hard, you will see the extraordinary craftsmanship.” And it is so true – going through the exhibition, you are able to see the intense attention to detail and all of the hard work – particularly when looking at the couture gowns.
When asked about his early years, creating the corsets and dressing Madonna, Jean Paul cited his mother and grandmother as inspiration, who influenced him from a very young age. “They taught me how women were: strong, clever, human – and sometimes stronger than men. I realized very quickly that women were more interesting and maybe even more clever.” And he sought to portray that through the clothing – it was not about sexualizing women, but about showing their power. He spoke of how much he enjoyed working with Madge – they had similar ideas and wanted to say the same things. He also confessed that the original cone bra was worn not by Madonna, but by his teddy bear, Nana, who had a cone bra made of newspaper, which you can see in the exhibition.
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