Instruct/Influence: Rob Curry

Today we bring to you the second installment of our new column, Instruct/Influence, in which we will be chatting with the amazing instructors at the School of Fashion. Hiding underneath that school teacher exterior, there lies a bounty of hidden gems - some of the best fashion tales you’ve never heard. Our directors and instructors have worked with the best in the biz and have some amazing sartorial stories that we could only dream of, so we wanted to share some of those amazing experiences with you. For our second edition, we sat down with Assistant Director of 3-D Design, Rob Curry.
What did you study and where?
I went to Leeds University, not the big famous ones in London. But I always say I started learning when I left. My basic training from there on was a two year apprenticeship with a couturier called Bruce Oldfield, not a lot of people know him over here, but he’s been around for over 35 years and is very well-known in London and Europe. He used to do a lot with Princess Diana and sort of the old aristocracy, its not young its more older, conservative but immaculately made pieces. And from there I went on to Vivienne Westwood. So that is what I really call my proper training – post university.
What drew you to couture as opposed to other types of design?
I’m a maker, I always have been by nature. I don’t really draw, I’m not a 2D person, and I always just loved it. At school I always enjoyed the making side of it but hated the portfolio side of it. I always felt frustrated at school because it was all about putting it on paper, the concept and thinking in 2-D. So that’s why the apprenticeship was like, wow, I’m learning.
How did you get the job at Vivienne Westwood?
She was always somebody that I completely adored and loved, you know she was always my favorite designer. And working in London she was one of the very few people I really wanted to work for. And I was lucky, Bruce Oldfield was a very big name and very well respected. So that got me in at Vivienne. When I sent my resume in with a letter asking if they needed anybody – God this was back in ‘96. And I got a phone call from the head of studio asking me to come in for a trial. It all really worked out well and I worked there for 5 years.
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